Bottoms

Bottoms

Unpopular best friends PJ and Josie start a high school fight club to meet girls and lose their virginity. They soon find themselves in over their heads when the most popular students start beating each other up in the name of self-defense.

  • Released: 2023-03-11
  • Runtime: 92 minutes
  • Genre: Comedy
  • Stars: Rachel Sennott, Havana Rose Liu, Nicholas Galitzine, Ruby Cruz, Kaia Gerber, Miles Fowler, Punkie Johnson, Dagmara Domińczyk, Marshawn Lynch, Ayo Edebiri, Alyssa Matthews, Zamani Wilder, Virginia Tucker, Wayne Pére, Toby Nichols, Liz Elkins Newcomer, Ted Ferguson, Cameron Stout, Bruno Rose
  • Director: Emma Seligman
 Comments
  • cboling86 - 28 May 2024
    Go into it with the right headspace.
    So I honestly don't watch previews very often. I will watch the movies that are "recommended" to me by apps based off others I've watched and liked. Also I watch movies for certain actors. I'll check their IMDB and just watch all the ones I know I won't hate.

    This one was not exactly what I was expecting, even after reading the info. At first I was rolling my eyes because I felt like they were trying too hard. Some of the comedy is decent because it's so far from reality and sometimes that's nice. A break from absolute reality.

    But was it dumb? Absolutely. Waste of 2 hours? Eh, for some it will be for sure.

    If you want a positive out of watching it, the way the girls of all types came together and formed this group of friendships they'd never have had otherwise, I did enjoy that.

    So really, it's up to you on your comedy level.. you'll need a super silly, over the top, feminist, dirty sense of humor to even come close to wanting to watch this one.
  • kzcdqh - 11 March 2024
    Absolutely trash
    This piece is the epitome of faux women empowerment, presenting a distorted and disturbing fantasy. It's concerning that the author may need therapy, as their fixation on men living rent-free in their mind is exhausting. One can't help but wonder, "who hurt you?" It's important to clarify that such scenarios depicted will never materialize for women who love women. While some may find solace in such dreams, it's crucial to recognize them as just that - dreams. The involvement of someone like Beast Mode in this work is disappointing, and any positive reviews are likely facetious.

    What a a joke.
  • s-04416 - 21 February 2024
    Identity & Illusion: 'Bottoms' Through a Critical Lens
    "Bottoms" (2023), directed by Emma Seligman, emerges as a daring exploration of teenage angst, sexual identity, and societal expectations, featuring a vibrant cast led by newcomers who bring freshness and authenticity to their roles. At its heart, the film seeks to navigate the tumultuous waters of high school life, with performances that oscillate between earnest vulnerability and comedic exaggeration. The narrative pivot, wherein Isabel transitions from a relationship with Jeff to discovering a connection with Josie, is portrayed with a mix of humor and confusion, embodying the film's attempt to dissect the complexities of sexual orientation amidst societal pressures.

    However, this exploration, while bold, occasionally stumbles, struggling to find a coherent tone between satire and serious commentary. The subplot involving a cheating scandal serves more as a distraction than a meaningful exploration of identity or morality, and the film's approach to LGBTQ+ themes sometimes feels superficial, glossing over the depth and diversity of real-life experiences.

    Despite these criticisms, the film's ambition to address contemporary issues and challenge societal norms is evident. The young actors deliver performances that resonate with the intended audience, capturing the confusion, defiance, and search for identity that define adolescence. Yet, "Bottoms" falls short of its potential, leaving viewers with a sense of missed opportunities in its narrative and thematic depth.

    The film reflects a society in flux, grappling with gender and sexual identity, albeit through a lens that may not fully capture the complexities of these discussions. It stands as a testament to the challenges of representing LGBTQ+ stories in a manner that balances humor with the gravity these narratives deserve, underscoring the ongoing journey toward more nuanced and inclusive storytelling in cinema.